revieuws  Thierry Geoffroy in french , italian , spanish  last checked june 2018


-----spanish -----

Kultur Urbana
-"El arte social es historia en Manifesta 8 " Alberto García del Castillo / 2010

-Actualidad terra  3 mars 2007

"El arte social es historia en Manifesta 8 " Alberto García del Castillo / Kultur Urbana


El Pais : Babélica Manifesta by Mara Mira 23/10/2010


Penetration at Manifesta 8 Arte en la Red, 2010-09-0


La "Penetration Room" en Manifesta 8 La Verdad, 2010-09-07

A-desk Interview with Thierry Geoffroy. “The next Documenta or Venice Biennale should be curated by Mother Theresa” by Cecilia Martín .10/7/2017
catalan , english , Spanish ,

Arte al limite ( Chili ) printed magazine presentation Biennalist tent art work 2017


arte al limite ( chili ) 2017  Thierry Geoffroy Ultracontemporary


-Triera 1 mars 2007



arte al limite 2017 Thierry Geoffroy
LA URGENTE CRÍTICA A LO CRÍTICO
THE URGENT CRITIQUE OF THE CRITICAL




-----french ---

Artnet
-Intervieuw portrait TV
- -Art Net  par Cyril Thomas : "le reméde á la morosité"

Art and You TV par Victor de Guigné (in french

-Elisabeth Lebovici " Emergency Room day one : Le roman photo "

-Le Monde / 4 decembre 2008
Le Monde (F)
-by Philippe Boggio "Copenhague la tentation d' exister 17/11/90



TV News TF1


Critical Run / Paris  by Cyril Thomas   

-----italy ---


CheFare Documenta ad Atene: diplomazia della cultura e artwashing

"La Biennale e l’emergenza; un paio di domande a Thierry Geoffroy  "24/04/2017  by  Claudia Capurro    lobodilattice.com/

Arte e Critica (Italy)
" Biennalist " by Julia Draganovic June 2009


-Arte e critica Julia Draganovic dec 2008 "La critica instituzionale come strumento di partecipazione

Archille Bonito Oliva :  i bogen :"Oggetti di turno" (Marsilio, Italien ,1997)


  RAI / TV
-by Christina Clausen 2009 art e performance

www.unclosed.eu
Chi critica ha a cuore il mondo
Domenico Scudero in un dialogo con Teresa Macrì a proposito del suo ultimo libro Fallimento



"THE CONTEMPORARY IS ALWAYS TOO LATE "    // " Il contemporaneo? È sempre in ritardo

Arttribune  "    20/11/2012